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A graphic rendering of the work's title (above) appears in the anthology.
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Yiddishe dikhterins: antologye Yiddish Women Writers: An Anthology
If you randomly open a page of Yiddishe dikhterns: antologye / Yiddish Women Writers: An Anthology you will most likely find someone staring back at you. Each entry in this 400-page anthology is adorned with a tipped in photograph of the author's face, frozen in time - a face that is probably unknown now and, according to the anthologizer Ezra Korman's introduction, mostly unknown at the time of the book's publication in 1928. Published in Chicago by L.M. Stein publishers, this book is itself a forgotten work of art and represents the apex of Yiddish publishing arts in the 20's.

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This page is typical of the roughly seventy entries on women writers in the anthology. Khane Gerson-Rabinovitsh (1898-1944) lived and wrote in Lodz. Her works were never published in book form. |
| Accompanying the portraits and poetry are exquisite woodcuts by Todros Geller, a Chicago based artist whose illustrations are found in many Yiddish books of the period. Geller's woodcuts announce the distinct sections of the anthology in Yiddish folk-art style. |
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The front section contains tipped in plates of 17th and 18th century Yiddish poetry written by women. This facsimile of Hannah Katz's poem Tfile l'Shabes / Prayer for the Sabbath, in the style of a petitionary prayer, is one of the earliest examples of women's writing in Yiddish. |
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