December 2010
To the End of the Land by David Grossman
During this eternal moment, she, and faraway Ofer, and everything that occurs in the vast space between them, are all deciphered in a flash of knowledge, like a densely woven fabric, so that the very act of her standing by the kitchen table, and the fact that she stupidly continues to peel the potato – her fingers on the knife whiten now – and all her trivial, routine household movements, and all the innocent, ostensibly random fragments of reality around her, become nothing less than vital steps in a mysterious dance, a slow and solemn dance, whose unwitting partners are Ofer, and his friends preparing for battle, and the senior officers scanning the map of future battles, and the rows of tanks she saw on the outskirts of the meeting point, and the dozens of smaller vehicles that moved among the tanks, and the people in the villages and towns over there, the other ones, who would watch through drawn blinds as soldiers and tanks drove down their streets and alleys, and the quick-as-lightning boy who might hit Ofer tomorrow or the day after, or perhaps even tonight, with a rock or a bullet or a rocket (strangely, the boy’s movement is the only thing that violates and complicates the slow heaviness of the entire dance), and the notifiers, who might be refreshing their procedures at the Jerusalem army offices right now, and Sami too, who must be at home in his village at this late hour, telling Inaam about the day’s events. Everyone, everyone is part of this massive, all-encompassing process, and the people killed in the last terrorist attack are part of it too, unaware of their role: they are the casualties whose death will be avenged by the soldiers now setting off on a new campaign. (pages 72–73)
Ofer was a year old. She was lying on her bed, rocking him on her upturned feet and arms in a game of airplane. He laughed and his whole body quivered, and his fine halo of hair softly fell and rose as he sailed. The sunlight coming through the window shone through his ears, and they were orange and translucent. They stuck out from his head, just as they do today. She moved him into the light and saw a delicate braid of veins and soft twists and bumps. She became quiet and focused, as if someone were about to tell her an indescribable secret. Her face must have changed, because Ofer stopped laughing and looked at her gravely, and his lips lengthened and protruded in a wise, even ironic old man’s expression. She marveled at the precision in each of his limbs. A sweetness filled her. She spun him slowly on the soles of her feet, moved him this way and that, catching the entire wheel of the sun in one of his ears. (page 186)
Inside, she sobs uncontrollably, flooded with self-pity over the ruination of her life, her family, her love, Ilan, Adam, and now Ofer out there, and God forbid, and what is left of her, and who is she now that all these have vanished or simply ripped themselves away from her, and what was all her brilliant motherhood worth? Nothing but cowardice – that’s what her motherhood was. A skilled sponge. Most of what she’d done for twenty-five years was mop up everything that poured out of the three of them, each in his own way, everything they spat out constantly over the years into the family space, namely into her, because she herself, more than any of them, and more than the three of them together, was the family space. She’d mopped up all the good and all the bad that came out of them – mainly the bad, she thinks bitterly, prolonging her self-castigation, though she knows in the depth of her heart that she’s distorting things, wronging them and herself, yet still she refuses to give up the bitter spew that flies out of her in all directions: so many toxins and acids she’s absorbed, all the excrements of body and soul, all the excess baggage of their childhood and their adolescence and adulthood. But someone had to absorb all that, didn’t they? (page 277)
Then Ora detaches her body from his and lies down on her side on the rock ledge. She pulls her knees into her stomach and rests her cheek on her open palm. Her eyes are open yet she sees nothing. Avram sits beside her, his fingers hovering over her body, barely touching. A light breeze fills the air with the scents of za’atar and poterium and a sweet whiff of honeysuckle. Beneath her body are the cool stone and the whole mountain, enormous and solid and infinite. She thinks: How thin is the crust is the earth. (page 576)




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