A growing collection of in-depth interviews with people of all ages and backgrounds, whose stories about the legacy and changing nature of Yiddish language and culture offer a rich and complex chronicle of Jewish identity.
The Universality of Fiddler on the Roof and Its Revolutionary Impact on Broadway
Marc Aronson, son of Yiddish theater set designers Boris and Lisa Aronson, discusses his reaction to Fiddler on the Roof's success, its influence on Broadway, and its universal messages about tradition, modernity, and identity.
This is an excerpt from an oral history with Marc Aronson.
This excerpt is in English.
This interview is part of the Yiddish and the Arts: musicians, actors, and artists series.
Other video highlights from this oral history
The Universality of Fiddler on the Roof and Its Revolutionary Impact on Broadway0 seconds
Boris Aronson's Involvement in Art and the Kultur Lige in Europe0 seconds
“No One’s Going to Be Interested in Tevye and His Five Daughters”: Boris Aronson Sending Scripts to His Son at Camp0 seconds
Boris Aronson's Set for Maurice Schwartz's Ten Commandments0 seconds
Father's Interest in Japan0 seconds
Boris Aronson's Physical Appearance0 seconds
Boris Aronson’s Funny Stories about Maurice Schwartz and Distance from Yiddish Theater0 seconds
Lisa Aronson's Artistic Background and Escape From Austria in 19390 seconds
Boris Aronson's Cane-Carving Job in the Catskills0 seconds
Colored Xerox and 3-Dimensional Paintings: Examples of Boris Aronson's Artwork0 seconds
More information about this oral history excerpt
About the Wexler Oral History Project
Since 2010, the Yiddish Book Center’s Wexler Oral History Project has recorded more than 500 in-depth video interviews that provide a deeper understanding of the Jewish experience and the legacy and changing nature of Yiddish language and culture.
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