- Nisht Geferlach Klezmer Band
- Nisht Geferlach Klezmer Band
November 29, 1986
Part of Yiddish Book Center's Frances Brandt Online Yiddish Audio Library
- Benjy Fox-Rosen explains his view of klezmer music and the social importance of klezmer musicians and klezmer music for Ashkenazi culture.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Peter Sokolow, a full-time professional musician active in Klezmer revival, says that although many believe it to be a recent phenomenon, the Klezmer revival has been going on since the 1970's, when the demand for klezmer music was non-existent.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Merlin Shepherd, klezmer musician and instructor, speaks to his experiences playing klezmer music in Germany.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Klezmer musician Michael Winograd talks about how a Klezmer revival happened, but is not still happening.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Jeff Warschauer discusses his path to klezmer music and how he came to be interested in it while studying at the New England Conservatory. He describes the vibrant klezmer scene in the 1980s at the Conservatory, and explains that he decided to...
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Peter Sokolow, a full-time professional musician active in Klezmer revival, shares the origins of his pseudonym "Klezmer Fats" and plays a song from his eponymous album that demonstrates the way he combines the style of Fats Waller with traditional...
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Klezmer musician Michael Winograd talks about how a Klezmer revival happened, but is not still happening.
Part of Pages
- Merlin Shepherd, klezmer musician and instructor, recalls his introduction to klezmer music off of a Naftule Brandwein recording.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Henri Oppenheim, klezmer musician based in Montreal, responds to the question, "How did you feel hearing klezmer for the first time?"
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
