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Results for your search for “klezmer”.

Showing 41 - 50 of 333 results
Thumbnail image for Georg Brinkmann
  • Georg Brinkmann, klezmer musician and teacher, was interviewed by Franziska Seehausen on July 26, 2017 in Bonn, Germany.
2017-07-26
Part of Yiddish Book Center's Wexler Oral History Project
Thumbnail image for Recordings are not enough
  • Klezmer musician Assaf Talmudi argues that music that has been recorded and not played should be considered lost.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for I stopped being a corporate lawyer and devoted my life to Yiddish music
  • Sruli Dresdner describes how he discovered Klezmer music as a child and why he loves it.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for "He then took me upstairs and started playing me records!": On Hankus Netsky's Early Interest in Jewish Music
  • Hankus tells of how the world of klezmer music was opened up after he contacted an estranged uncle.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for unfortunately there's too many people like me
  • Musician Michael Winograd laments the fact that so few Klezmer musicians, himself included, speak Yiddish.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for Klezmer Did Not Exist In a Vacuum
  • Benjy Fox-Rosen discusses how Klezmer varied from region to to region and was influenced by the music of surrounding cultures.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for “Everything Started from That”: Finding Connection Between Rock and Klezmer as Introduction to Jewish Music
  • Michał Moniuszko, a musician and teacher, remembers his first impressions of klezmer music as a young Polish rock musician.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for The Intergenerational Connections of Klezmer
  • Musician Michael Winograd describes the way Klezmer music brings together people of different ages, and connects the generations.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for Becoming a Clarinetist
  • Merlin Shepherd, klezmer musician and instructor, describes how he started playing his instrument of choice: clarinet.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for "Choosing" to Play the Clarinet
  • Georg Brinkmann—klezmer musician and teacher—speaks about how he picked up and started learning the clarinet.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts

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