- Seth Rogovoy, Yidstock 2012 program organizer, explains how the bands, which include the Klezmatics and Socalled, represent the many incarnations of klezmer.
Part of The Shmooze Podcast Series
- Seth Rogovoy, who literally wrote the book on klezmer, gives us a sneak preview of the Yidstock (July 13-16, 2017) lineup
Part of The Shmooze Podcast Series
- Hankus Netsky, founder and director of the Klezmer Conservatory Band, dropped by the studio to chat about the roots of Yiddish music and his work as a musician, teacher, and ethnomusicologist.
Part of The Shmooze Podcast Series
- Christian Dawid, Berlin-based klezmer clarinet player, was interviewed by Christa Whitney on August 23, 2011 at KlezKanada in the Laurentian Mountains of Canada.
Christian is a musician who grew up in Bremen, Germany. His mother was born in 1942...
2011-08-23
Part of Yiddish Book Center's Wexler Oral History Project
- Henri Oppenheim, klezmer musician based in Montreal, talks about he first got interested in Jewish music, and how moving from Paris to Montreal influenced his career.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Moishe Rosenfeld - Founder of Golden Land Concerts & Connections, a New York City-based booking agency for Jewish performing arts - describes putting on a concert of great klezmer musicians that featured violinist Itzhak Perlman.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Anne (Khane) Eakin Moss, Yiddishist and Russian Literature Professor, explains how her love of klezmer music led her to see the importance of the Yiddish within Jewish culture.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Lorin Sklamberg, lead singer for The Klezmatics and YIVO sound archivist, discusses his role in Klezmer revival and his sadness that the line of musical transmission from one generation to another was broken.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Assaf Talmudi explains that he likes folk music and especially Klezmer music because you can take part in it on many levels, which allows new musicians to participate.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
- Henri Oppenheim, klezmer musician based in Montreal, discusses why he identifies as an activist. He reflects on his work with Jewish music, and the process of making it for Francophone listeners.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
