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Results for your search for “klezmer”.

Showing 71 - 80 of 317 results
Thumbnail image for From Math to Klezmer Music
  • Henri Oppenheim, klezmer musician based in Montreal, talks about he first got interested in Jewish music, and how moving from Paris to Montreal influenced his career.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for The Klezmer-Yiddish Family
  • Pete Rushefsky, executive director for the Center for Traditional Music & Dance, reflects on the connections he's made in the klezmer-Yiddish scene, including with Beyle Schaechter-Gottesman and her descendants.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for A Klezmer Concert Featuring Itzhak Perlman
  • Moishe Rosenfeld - Founder of Golden Land Concerts & Connections, a New York City-based booking agency for Jewish performing arts - describes putting on a concert of great klezmer musicians that featured violinist Itzhak Perlman.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for Klezmer Music Helped Me Discover the Creative Power of Yiddish
  • Anne (Khane) Eakin Moss, Yiddishist and Russian Literature Professor, explains how her love of klezmer music led her to see the importance of the Yiddish within Jewish culture.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for "It Was More Like a Resuscitation": Lorin Sklamberg's Thoughts on Klezmer Revival
  • Lorin Sklamberg, lead singer for The Klezmatics and YIVO sound archivist, discusses his role in Klezmer revival and his sadness that the line of musical transmission from one generation to another was broken.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for You are Klezmer the moment you can carry just one simple tune
  • Assaf Talmudi explains that he likes folk music and especially Klezmer music because you can take part in it on many levels, which allows new musicians to participate.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for Activism and Jewish Music for Francophones
  • Henri Oppenheim, klezmer musician based in Montreal, discusses why he identifies as an activist. He reflects on his work with Jewish music, and the process of making it for Francophone listeners.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for Tine Kindermann
  • Tine Kindermann - German artist and wife of prominent klezmer musician Frank London - was interviewed by Pauline Katz on December 30, 2010 at KlezKamp 2010 in the Catskill Mountains of New York State.
2010-12-30
Part of Yiddish Book Center's Wexler Oral History Project
Thumbnail image for "Tradition is what we create right now"
  • Christian Dawid - Berlin-based, world-renowned klezmer clarinet player - discusses the idea of "tradition" and explains that tradition is created everyday and comes from actively thinking about the musical process.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts
Thumbnail image for Finding a balance
  • Jeff Warschauer advises the younger generation of klezmer musicians and Yiddish enthusiasts to go "broadly and deeply" into the past. He suggests that creative artists learn the rudiments of their discipline while remaining true to themselves.
Part of Yiddish Book Center's Wexler Oral History Project Excerpts

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